Step inside Glen Glenn Film Sound in Hollywood with ‘Stranger Things’ re-recording mixers Will Files (sound effects) and Mark Paterson (dialog and music) as they reveal how show’s iconic sound is created. In this episode, we break down techniques behind sonic identity of ‘Stranger Things’. From Vecna’s terrifying voice design to unsettling atmosphere of Upside Down. You’ll hear how dry vocal performance becomes massive, room-filling presence through layered EQ, delay, octave pitch shifting and staged reverb chains, and how subtle mixing choices shape emotional impact of each scene. We also explore how Mark’s point-of-view moments are mixed using tight early-reflection reverbs pushed louder than dry signal, creating eerie sensation of hearing world from inside someone else’s head. Mark Paterson: Re-Recording Mixer
Will Files: Supervising Sound Editor and Re-Recording Mixer
Craig Henighan: Supervising Sound Editor and Re-Recording Mixer Timecodes:
00:00 — Why Stranger Things Sounds so Unique
00:12 — Mixing TV Like Feature Film
01:19 — Using Sound Before You See it
02:21 — ‘Flanger Things’ Sound Style
03:54 — How Vecna’s Voice is Built
05:41 — Upside Down vs Real World Sound
07:03 — Analog Mixing Philosophy Playlists:
https://rutube.ru/plst/909909
https://vkvideo.ru/playlist/-235081080_12 | Original video:
https://youtu.be/_6ve5UzG4l0